The Handmaid's tale
By Margaret Atwood
Publisher: Vintage Publishing Paperback: 336 Pages
Novel, Genre Fiction
Price $9.99 (amazon.com)
Rp 115.000
Novel, Genre Fiction
Price $9.99 (amazon.com)
Rp 115.000
Here is the #1 New York Times bestseller and seminal work of speculative fiction from the Booker Prize-winning author.
Now a Hulu series starring Elizabeth Moss, Samira Wiley, and Joseph Fiennes. Includes a new introduction by Margaret Atwood.
Brief Synopsis
Brief Synopsis
A revolution has replaced the government of the United States with the Bible-based Republic of Gilead, a theocracy. The novel is narrated by a woman of 30 or so Offred (isn't her real name) who has been separated from her husband and young daughter, then sent to brainwashing center. She is trained to be a Handmaid, obligated to serve any member of the hierarchy as birth-mother of his children.She must lie on
her back once a month and pray that the Commander makes her pregnant. She is now on her third assignment having failed to become pregnant in her previous two, so her time is running out. Offred and the other Handmaids are valued only
if their ovaries are viable. If she does not have a child soon, she will become Unwoman, exiled to clean up toxic waste in one of the Colonies until she dies in two or three years. Unwoman, like Jews, African Americans, Catholics, and other groups considered undesirable by the Gilead regime are not allowed in Gilead.
Offred can
remember the days before, when she lived and made love with her husband Luke;
when she played with and protected her daughter; when she had a job, money of
her own, and access to knowledge. But all of that is gone now....
Annotation
First
published in 1985, this is a novel of such power that the reader is unable to
forget its images and its forecast. It is at once scathing satire, dire
warning, and tour de force. "A novel that brilliantly illuminates some of
the darker interconnections between politics and sex".--"The
Washington Post Book World".
Book Review
I’ve never before read
a book that has emotionally drained me to such a degree. This is
frightening and powerful. And sometimes it only takes a single paragraph
to make you realise how much so:
“Yes, Ma’am, I said again, forgetting. They used to have dolls, for
little girls, that would talk if you pulled a string at the back; I
thought I was sounding like that, voice of a monotone, voice of a doll.
She probably longed to slap my face. They can hit us, there’s Scriptural
precedent. But not with any implement. Only with their hands.”
Needless to say, this is an absolutely awful situation. From
the very beginning, I knew how much I was going to like this book. Its
story isn’t one that it is simply read: it demands to be heard. It
beckoned me to see the full force of the situation. The Handmaids, the
average woman, have no free will or individualism; they are treated as
simple baby producing machines. An oppressive regime is forced upon
them, and to deviate from the said standard results in a slow and
agonising death. There’s no hope or joy for them, only perpetual
subjugation.
Indeed, this is where Atwood’s awe inspiringly
persuasive powers reside. By portraying such a bleak situation, she is
able to fully demonstrate what life could be like if we suddenly
followed the misogynistic views of the old testament with fierce
intensity. Women would have no power whatsoever. This would be
reinforced by a complete cultural destruction and lack of any form of
self-expression. They would not be able to read or write; they would not
be able to speak their minds. It would even go as far as to condition
them so powerfully, that they completely lack the ability of independent
thought. And, to make it even worse, the women know no difference.
Sure, the narrator of this remembers her past, but she’s not allowed to.
She is forced to repress any sense of individual sentiment.
“But who can remember pain, once it’s over? All that remains of it
is a shadow, not in the mind even, in the flesh. Pain marks you, but too
deep to see. Out of sight, out of mind.”
The
narrator has a horrendous ordeal, in an equally as horrendous world.
The notion was devised as a response against a drastic decrease in
birth-rates. Men in power have taken complete control of women in both
body and mind to insure an increase in the declining birth-rates. As I
mentioned, their individualism is repressed, but the men also prevent
any physical freedom. The women are owned by the state, by the men and
by corruption; their bodies are nothing more than a means to provide new
life. In this, they are degraded to a state of sub-human existence;
they are no longer people. Atwood suggests that they are merely a
reproductive organ, one that can be discarded without thought, mercy or
conscience. This is reinforced on every level; the language delivers
this on a revealing scale. The names are suggestive of the oppression;
the protagonist is called “Offred.” She is of-Fred: she belongs to him.
The women are assigned names that are not their own; they are dubbed
with the disgusting title of “Handmaiden.” By doing so they are left
with very little of their former lives. The women are simply objects to
be used, controlled and destroyed and the slightest hint of
nonconformity to such an absurd system. But, here’s the rub. The best,
and most haunting, thing about this novel is its scary plausibility.
The
culture created is evocative of one that could actually exist. The way
the men attempt to justify its existence is nothing short of terrifying.
They make it sound perfectly normal. Well, not normal, but an idea that
could be justified to a people. Not that it is justifiable, but the
argument they present has just enough eerie resemblance to a cold,
logical, response to make it seem probable in its misguided vileness.
The totalitarian elements provide an image of a people that will do
endure anything if they’re provided with a glimpse of liberty. The small
degree of liberty the Handmaids think they have doesn’t actually exist:
it’s an illusion, a trick, a shadow on the wall. They’re manipulated
into believing it and become frenzied in the face of it. It is the
ultimate means of control in its nastiness.
“A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
This book was horrifying and strangely perceptive. If you’re
thinking about reading this, stop thinking, just read it. It’s
brilliant. It’s a book I will definitely be reading again because it is
just so thought provoking and disturbing.
Annotation
Book Review
I’ve never before read a book that has emotionally drained me to such a degree. This is frightening and powerful. And sometimes it only takes a single paragraph to make you realise how much so:“Yes, Ma’am, I said again, forgetting. They used to have dolls, for little girls, that would talk if you pulled a string at the back; I thought I was sounding like that, voice of a monotone, voice of a doll. She probably longed to slap my face. They can hit us, there’s Scriptural precedent. But not with any implement. Only with their hands.”
Needless to say, this is an absolutely awful situation. From the very beginning, I knew how much I was going to like this book. Its story isn’t one that it is simply read: it demands to be heard. It beckoned me to see the full force of the situation. The Handmaids, the average woman, have no free will or individualism; they are treated as simple baby producing machines. An oppressive regime is forced upon them, and to deviate from the said standard results in a slow and agonising death. There’s no hope or joy for them, only perpetual subjugation.
Indeed, this is where Atwood’s awe inspiringly persuasive powers reside. By portraying such a bleak situation, she is able to fully demonstrate what life could be like if we suddenly followed the misogynistic views of the old testament with fierce intensity. Women would have no power whatsoever. This would be reinforced by a complete cultural destruction and lack of any form of self-expression. They would not be able to read or write; they would not be able to speak their minds. It would even go as far as to condition them so powerfully, that they completely lack the ability of independent thought. And, to make it even worse, the women know no difference. Sure, the narrator of this remembers her past, but she’s not allowed to. She is forced to repress any sense of individual sentiment.
“But who can remember pain, once it’s over? All that remains of it is a shadow, not in the mind even, in the flesh. Pain marks you, but too deep to see. Out of sight, out of mind.”
The narrator has a horrendous ordeal, in an equally as horrendous world. The notion was devised as a response against a drastic decrease in birth-rates. Men in power have taken complete control of women in both body and mind to insure an increase in the declining birth-rates. As I mentioned, their individualism is repressed, but the men also prevent any physical freedom. The women are owned by the state, by the men and by corruption; their bodies are nothing more than a means to provide new life. In this, they are degraded to a state of sub-human existence; they are no longer people. Atwood suggests that they are merely a reproductive organ, one that can be discarded without thought, mercy or conscience. This is reinforced on every level; the language delivers this on a revealing scale. The names are suggestive of the oppression; the protagonist is called “Offred.” She is of-Fred: she belongs to him. The women are assigned names that are not their own; they are dubbed with the disgusting title of “Handmaiden.” By doing so they are left with very little of their former lives. The women are simply objects to be used, controlled and destroyed and the slightest hint of nonconformity to such an absurd system. But, here’s the rub. The best, and most haunting, thing about this novel is its scary plausibility.
The culture created is evocative of one that could actually exist. The way the men attempt to justify its existence is nothing short of terrifying. They make it sound perfectly normal. Well, not normal, but an idea that could be justified to a people. Not that it is justifiable, but the argument they present has just enough eerie resemblance to a cold, logical, response to make it seem probable in its misguided vileness. The totalitarian elements provide an image of a people that will do endure anything if they’re provided with a glimpse of liberty. The small degree of liberty the Handmaids think they have doesn’t actually exist: it’s an illusion, a trick, a shadow on the wall. They’re manipulated into believing it and become frenzied in the face of it. It is the ultimate means of control in its nastiness.
“A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
This book was horrifying and strangely perceptive. If you’re thinking about reading this, stop thinking, just read it. It’s brilliant. It’s a book I will definitely be reading again because it is just so thought provoking and disturbing.
After I read this novel, I was curious about this novel, and yup it's great novel.
ReplyDeleteI still looking for the great book. And thank you so much you give the review about this novel. Maybe this novel will be my next book list.
ReplyDeleteWhat a great review! Well I think I must have this novel for my end year holiday! Thank you for reviewing :)
ReplyDelete